cubism
UK[ˈkjuː.bɪ.zəm]US[ˈkjuː.bɪ.zəm]
n
A style of modern art, especially painting, in which objects and people are represented as geometric shapes, often shown from several different angles at the same time.
Morpheme Breakdown
cub
ism
cub
cube
ism
doctrine, style
Etymology
The term 'Cubism' is a direct linguistic artifact of the early 20th-century art movement it describes. It derives from the French 'cubisme', coined around 1908 by critics who, upon seeing the geometrically fragmented paintings of artists like Georges Braque, mockingly noted the reduction of forms to "cubes." The root 'cube' traces back through Latin 'cubus' to the Greek 'kubos', originally meaning a six-sided die, thus embedding the ancient concept of solid, regular geometry. The suffix '-ism', of Greek origin via Latin and French, systematically denotes a distinctive practice or school of thought. Therefore, the word's literal logic—"the doctrine of the cube"—perfectly captures the movement's revolutionary approach of analyzing and reassembling reality into abstract, multifaceted geometric planes.
Analysis
Structure: cub (cube) + ism (doctrine, style)
- cub: From French 'cube', from Latin 'cubus', from Greek 'kubos' (a six-sided solid figure, die for gaming). In this word, it functions as the core root suggesting geometric, cubic forms.
- ism: A suffix forming nouns, from Greek '-ismos', denoting an action, practice, system, or doctrine. It functions as a nominalizer, turning the concept into the name of an artistic movement.
Examples
Picasso and Braque were pioneers of the Cubism movement.
The painting is a classic example of Analytical Cubism, breaking down the subject into interlocking planes.
Her early work was influenced by Cubism before she developed her own abstract style.